2/29/2024 0 Comments Element massage hadleyThe groom’s brother, the ‘best man’, is a parodic sign of a potential in the groom himself. The flowers and the women are red because it is that kind of wedding, it flares with a blatant sexuality, something hot and unchaste. The women came ‘earlier’ because the delayed moment, the bride’s arrival, is the necessary door through which the priest’s story has to pass to begin to be told: if she hadn’t turned up it would have become a different story. This questioning is characteristic of the readings these stories exact. She turns up eventually, and the ceremony goes off all right, but an intimation of trouble has been set reverberating in the reader from the very first sentence: ‘Earlier, the women came with flowers, each one a deeper shade of red.’ Why begin with that word ‘earlier’, which might seem a weak link back out of the story-time? Earlier than when? Why not just begin at the moment the women bring the flowers? And why allow a syntactical ambivalence, so that although it must be the flowers that are ‘each one a deeper shade’, it sounds as though the women themselves are meant, each one redder than the last? And anyway: red flowers, at a wedding? In the title story of Claire Keegan’s second collection, Walk the Blue Fields, a priest is officiating at a wedding in rural Ireland: the bride is late, the organist has to play the Bach toccata twice, ‘a thrill of doubt’ is ‘spreading through the pews’.
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